Somerset Chamber Choir

 

About

Concerts

 

 

Home

The Choir

Next concert

Join the choir

Gallery

Site map

Conductor

All future and past concerts

Support the choir

Links

Subscribe or
unsubscribe to mailing lists

Accompanist

Friends Scheme

Contact

Patrons

 

Members

 

www.somersetchamberchoir.org.uk  © 2011 Somerset Chamber Choir  Registered Charity No.1003687  

Patrons: Dame Emma Kirkby and Sir David Willcocks

Somerset Chamber Choir logo - silhouette of Glastonbury Tor and Somerset map outline

Sign up for concert updates
Enter your email address here to receive concert details by email

 

 

 

 

 

 

 

 

Works:

Rutter

Bernstein

Roxanna Panufnik

Requiem

Chichester Psalms

Westminster Mass

Performers:

Somerset Chamber Choir

Sophie Bevan

Tim Mead

Sally Pryce

Katherine Bicknell

Rosie Hillier

Gabriella Swallow

Oliver Cox

Owen Gunnell

Richard Pearce

Graham Caldbeck

 

Soprano

Countertenor

Harp

Flute

Oboe

Cello

Percussion

Percussion

Organ

Conductor

Click here to view the concert programme

Review:

One is used to the plaudits that follow concerts given by the excellent Somerset Chamber Choir under their conductor, Graham Caldbeck, and the concert ‘Eternity’s Sunrise’ given in King’s College Chapel Taunton on Sunday 4 January confirmed the choir’s continuing ability to surprise and thrill.  The programme, Leonard Bernstein’s Chichester Psalms’, Roxanna Panufnik’s ‘Westminster Mass’, John Rutter’s ‘Requiem’, provided the choir with demanding melodic, harmonic and part-balance challenges and the listener with a diverse but coherent group of 20th century works.

 

The more familiar outer works gave the audience an opportunity to hear two young and accomplished singers, the soprano Sophie Bevan who showed an ease of singing throughout her considerable range with a warm and distinctive tone that never lost its quality or security even when balanced on a high piano B flat, and Tim Mead, a countertenor with a sound that has a vivid character and an almost sensuous depth enhanced by the singer’s considerable confidence and musicality. The instrumental soloists too, Sally Pryce (harp), Oliver Cox and Owen Gunnell (percussion), Katherine Bicknell (flute), Rosie Hillier (oboe), Gabriella Swallow (cello), were excellent choices with each displaying mature judgement and musicianship in their various roles.  Richard Pearce proved once again the organist to master some very demanding accompaniments with accuracy and reliability.

 

We have Graham Caldbeck to thank for bringing the Panufnik  ‘Westminster Mass’ to the West Country for its first performance.  What a revelation this work, premiered as recently as 1998 at Westminster Cathedral, turned out to be.  In his carefully considered and thought provoking programme notes Graham Caldbeck touched on the transient nature of music and in its fleetingness how its joy and power can touch and transform us in a shared experience, performers and audiences alike. For many the performance of the Mass was probably part of this experience.  It is a deeply spiritual work revealing a composer with a personal and distinctive approach both in her setting of the familiar text and in her use of the choral texture. The choir proved to be equal to the melodic and harmonic hurdles, a marvellous achievement given the limited amount of rehearsal time available.

 

The opportunity to hear such choral works sung by a very capable choir obviously has much to do with the imaginative programming, skill and knowledge that Graham Caldbeck brings to the Somerset Chamber Choir. Both conductor and choir are to be congratulated and thanked.

 

Andrew Maddocks

 

 

Sunday 4 January 2004

‘Eternity’s sunrise’

King’s College Chapel, Taunton

kings04_poster.pdf