Somerset Chamber Choir

 

About

Concerts

 

 

Home

The Choir

Next concert

Join the choir

Gallery

Site map

Conductor

All future and past concerts

Support the choir

Links

Subscribe or
unsubscribe to mailing lists

Accompanist

Friends Scheme

Contact

Patrons

 

Members

 

www.somersetchamberchoir.org.uk  © 2011 Somerset Chamber Choir  Registered Charity No.1003687  

Patrons: Dame Emma Kirkby and Sir David Willcocks

Somerset Chamber Choir logo - silhouette of Glastonbury Tor and Somerset map outline

Sign up for concert updates
Enter your email address here to receive concert details by email

 

 

 

 

 

 

 

 

Works:

Choral works by:

Palestrina

Gibbons

Monteverdi

Bach

Brahms

Fauré

Parry

Rachmaninov

Poulenc

Rutter

Pårt

Works for saxophone quartet by:

Alasdair Nicolson

Graham Fitkin

Piazzolla

 

Performers:

Somerset Chamber Choir

Saxploitation

Richard Pearce

Graham Caldbeck

 

 

Organ

Conductor

Review:

8 & 9 August 2000

St Andrew’s Church, Plymouth & Truro Cathedral

Tour: Psalms, Songs, & Saxes

St Andrew's Church, Plymouth

 

You can't have too much of a good thing, or so they say.  Well, Psalms, Songs & Saxes presented by the Somerset Chamber Choir together with Saxploitation certainly proved just the very opposite!

 

For this was simply an ongoing feast of music, of great variety and style, and with something for just about everyone's taste. Saxploitation are four highly talented young saxophonists who play with quite astonishing precision, despite the often quite extreme rhythmic complexity of the music, and they really enjoy every minute of it! They were equally at home in the intricacies of Graham Fitkin's Stub, completely caught the style in Alasdair Nicolson's vibrant arrangements of 42nd Street Stomp, and provided some totally effective, yet fresh contemporary obbligati in some of the vocal pieces.

 

Conductor, Graham Caldbeck produced fine and precise singing from his choir with wide-ranging dynamics, good projection and excellent intonation.  With particularly strong support from an excellent bass section, and a clear and resonant tenor line, the overall balance was impressive, and the singers were as accomplished in unaccompanied work as when accompanied at the organ.  Here they were also very fortunate in having the services of Richard Pearce, whose playing was sympathetic throughout, and especially so in his performance of a Bach Chorale Prelude.

 

Gershwin's 'Love Walked In' brought all the resources together in a jazz finale, to conclude what had been a highly enjoyable evening, and one with such a welcome mix of fun, together with moments of the utmost poignancy and emotion.

 

Philip R Buttall - Plymouth Evening Herald