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www.somersetchamberchoir.org.uk © 2011 Somerset Chamber Choir Registered Charity No.1003687
Patrons: Dame Emma Kirkby and Sir David Willcocks
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Works: |
Rossini James MacMillan Britten Arvo Pärt |
Petite messe solennelle Seinte Mari moder milde A wedding anthem Littlemore Tractus ....which was the son of.... |
Performers: |
Somerset Chamber Choir Katherine Manley Louise Mott Joe Roche Keel Watson Christopher Stokes Philip Moore Andrew West Graham Caldbeck |
Soprano Mezzo- Tenor Bass Harmonium Piano Piano Conductor |
Review:
Scattered showers and chill winds outside Wells Cathedral on Saturday evening were dispelled by an inspiring and uplifting concert by the Somerset Chamber Choir. Music by Arvo Pärt, James MacMillan, Britten and Rossini, accompanied variously by organ, two pianos and harmonium, may not seem a very likely choice for a concert, but this intriguing programme was very well conceived.
The concert opened with an impressive account of Pärt’s ‘Which was the son of...’,
a setting of St Luke’s Genealogy of Jesus, which draws on a number of styles including
baroque, folk, gospel and barbershop. The choir, under Graham Caldbeck’s commanding
leadership, was magnificent, producing a rich and well-
Britten’s ‘A Wedding Anthem’ was accompanied very stylishly by organist Christopher Stokes and the choir sang confidently with great dynamic contrast. Tenor soloist, Joe Roche, however did not sound quite so confident and was troubled with poor intonation at times. Soprano Katherine Manley sang beautifully, her voice floating ethereally over the choir in the closing phrases.
James MacMillan’s ‘Seinte Mari Moder Milde’, a setting of a 13th-
The performers were next joined by two excellent pianists, Andrew West and Philip
Moore, and Christopher Stokes on the harmonium, in a splendid performance of Rossini’s
irreverent ‘Petite Messe Solennelle’. The syncopated keyboard introduction created
a real sense of anticipation which was rewarded by the choir’s assured performance
of the ‘Kyrie’. The ‘Gloria’ introduced the rich vocal tones of bass soloist Keel
Watson and was followed by the ‘Gratias’, in all respects an operatic trio rather
than a movement from a sacred Mass -
The fast-
It is a tribute to the versatility of this choir, and to its conductor Graham Caldbeck, that they can perform such innovative and varied programmes to such a high standard. A truly memorable evening.
Jillian Whiting
Saturday 29 July 2006
Wells Cathedral
Rossini Petite Messe Solennelle